A comedic novella about the repeated calamities of the world's most infamous taxidermist.
How do you tell a visual story in this new age of generative A.I.? How do you push the boundaries of creative design into today’s goliath content channels like streaming and social media? How do create 100 stories worthy of Beatrix Potter, Dr. Seuss, or J.K. Rowling in a year?
That is what Oddtoe is tackling.
Generative A.I. will form a part of a new content creator’s workflow. Truth is, we don’t know which part. And we don’t know how much of this workflow will come from bots.
But one thing is for sure: It’s humans — the audience — we’re trying to dazzle. And for Oddtoe, it’s the audience that we want to see laughing. The technology at that point is irrelevant.
Oddtoe serves up a…
Cornucopia OF ARTS & SCIENCES
Where does your interest lie?
Looking for your own
EDWARD SCISSORHANDS?
Original storytelling in motion pictures, television, and the new-fangled streaming services is extremely expensive. The studio system for artists, animators, scriptwriters, and even the studio heads themselves is broken. $30 million an episode? $50 million for a movie?
Something has to change.
Generative A.I. isn’t the answer. But then again — what was the question?
In the debate between human versus artificial intelligence, Oddtoe at its heart is Switzerland. Neutral. We just want to see a new era of storytelling. One that’s only possible with both.
This new era will allow the economics of visual storytelling to reach niches of people for the first time.
There’s a bit of Frankenstein in a generative A.I. creation. You don’t know exactly what you’re going to get. That’s where Oddtoe comes in. You know exactly what you’re going to get. There’s a human at the beginning, middle, and end of every content production. Having an artist and technologist at the helm is safer for brands, media channels, and publishers. The result is creatively consistent — and unique.
After all, Frankenstein was one of a kind.
